Francisco de Zurbaran
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art.. Related Paintings of Francisco de Zurbaran :. | still life | Still Life | christ blessing | Inmaculada Concepcion | virgin and child with st. | Related Artists: GADDI, AgnoloItalian Early Renaissance Painter, ca.1345-1396 Giovanni SegantiniItalian Art Nouveau Painter, 1858-1899
Italian painter and draughtsman. An exponent of DIVISIONISM, he was the only Italian painter of the late 19th century to have enjoyed an unbroken international reputation, especially in Germany and Austria. Salvatore Postiglionepainted Pier Damiano e la contessa Adelaide di Savoia in 1887
|
|
|